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  • Into the new year with old wounds.
    Doctor appointments lined up.
    I want to let go of grief, its weep,
    rend, and wrack. Realizing the news
    will never, ever go away. Small souls
    will always go adrift. Blankets are
    constantly pulled over weary heads.

    Escape to a late-night stroll on the Boardwalk
    to find what honky-tonk money will buy.
    Snake-oil salesmen wait even under a full moon.
    More steps down the pier. Now, past midnight,
    edge of the world, my grudges begin to disappear.

    Let me move slow as crippled stars, find
    a philosophy here in the unanchored expanse.
    I try to rework the words of scripture, forget
    years hunkered down, swinging old swords.
    Bury them all in flecks of moonlight.

    published in Birdland Journal · January 2020

  • A night wind interrogates
    pines on Pescadero’s tangled
    coast. The roiled sea
    unbuckles, flattens.

    Other sounds—plaintive voices
    press hard against my house.
    Someone
    unbidden in my life.

    Through the curtain-chink, I listen,
    review dark thoughts of those
    I might have hurt, actions left
    undone.

    I vow to examine my voice
    of privilege, pledge whatever
    of life remains. Words
    unspoken.                       

    published BeZine · June 2020

  • The plane slides over the Bay Bridge,
    and I return to my small life.
    Hydrangeas dip their heads when
    my suitcase thuds against the door.

    I stand in silence, spend moments
    in hope of a muted rest,
    as sounds of the airport fade.
    I hardly move, want to feel a little less

    human to connect with the red-tailed hawk 
    on the oak branch above me,
    the way he holds his head,
    resting after his own whirlwind of flight. 

    Evening penetrates me and our earth,
    each plant and animal that survives,
    touching now—hawk, hydrangeas,
    on the back door, my gnarled hand.

     published: Birdland Journal · January 2020

  • Nut brown sparrow, my operatic companion.
     No sound from my poem, just her
     three quick notes and a jumble of trills.

    Warm April in the Peninsula suburb,
     language in my hand. Stir of time,
     branching a new way to write. I hear

    her insistence. Silence is suspended
     again. I walk closer in the cut grass
     and ask her pardon for my intrusion.

    Fledglings emerge from the birdhouse,
     perch on the edge of the rim, falter, fall
     away from the rail to damp earth.

    She sings to them from her perch.
     Her sound rides spring exhalations
     from new leafed oaks and lilacs.

    I hope for the third try and their wings lift,
     song-filled and with new memory
     of flight under wind-streaked feathers.

    Published in Birdland Journal  · January 2020

  • a Japanese White Eye in her nest sings
     her world together in strands

    the metallurgy of morning
     copper sky, ocher sea from last night’s storm
     tinny sounds of traffic on the lower road

    then quiet
     the mind arranges like a Mozart chord
     nothing budges, a hush of grace says:

    write it down

    Published in Voce Piena · December 2004

  • After she’s out, maybe she’ll paint
    her walls purple, bright as her son’s
    name tattooed on her arm. Salvador.

     She’ll bake pies and love the cinnamon heat
    in her kitchen. Walk to Key Market
    on 5th Street for menudo and tease the butcher.

    She’ll work someplace, maybe buy a teacup
    and sit on a stoop some night with a man.
    Not Salvador. Someone who likes heat.

    Make coffee with real cream. 
    Wear shoes with straw wedges. Dance
    to Aretha (who can tease with the best of them).

    None of her poems rhymed but she filled pages
    with longing when I read Emily Dickenson to her —
    another life mostly spent alone in a room.

    published in By & By Poetry · October 2015

  • This morning, I want to search
    for lost children wrenched
    from families at the border,

    and sent in random directions
    on random airplanes across states
    to fit into random new lives.

    Do these children step out of fear
    in dreams and fly back to beds
    next to siblings in Guadalajara

    or escape cots covered with metallic
    blankets, enclosed in cold storage
    rooms on the US side of the Rio?

    I hope tears are someday forgotten
    and there is a faint blue in the hollow
    of eyes in deep sleep. Their mothers,

    will rescue and wrap them in longed-
    for arms. In the news, I want to read
    something incredible: Today, the lost

    children escaped and drifted in peace
    on pastel clouds pulling them
    upwards along streams of soft air,

    soaring in the wake of colored birds
    leading to safety. The wind whispers
    “You have been found”.

    We must protect and release them,
    repair rifts in this world so children
    are kissed goodnight by parents

    and moment to moment will trust
    waiting strangers will not send them
    flying away in nightmares of loss.

    published in BeZine  · June 2021

  • If you could only see the few of you left here.
    If you could only hear me mourn the shortness
    of your days and getting shorter as I speak.

    I’m grateful for your solace and shade
    even as you succumb to hotter summers—
    sparse raindrops on fluted bark, spare roost
    for red hawks and swarming crows.

    I decipher your voice among other voices.
    You speak to me at pasture’s edge because
    you know my days are also numbered.

    My spirit, the rare sight of it, comes here
    for courage—the way we each fight as our parts
    fall away with Butternut canker or breast cancer,

    and because you speak to it each green vowel
    of your life’s language. 

  • You are in the hidden ditches of the OR,
    doctors bent over your skull,
    working on your right eyeball. The one left.
    I’m amid plastic plants in the waiting room.
    Pieces of my voice are thrown away as I find
    myself talking to them in solitude.
    My mind calms with a walk on a farm road:
    brow of hayfields, blue eye of bass pond,
    drift of Unadilla headwaters moving
    like blood cells through veins.
    When you awake, when you hear
    my fear-whipped voice, I will be tempted 
    to say:  I love you.  But I won’t say that.
    You know our slogan:   Keep it light.

  • Perhaps in time, I won’t think
    about my breasts. Soft robins
    of flesh once above my waist.

    Each spring, they would spread
    flat on the machine. Wings
    stretched against a metal cloud.

    I sucked a breath, a whir,
    syllabled a prayer, a doctor smiled—
    No cancer. Not this year.

    Cut from their fleshy nest, they left
    nothing but bare branches, radial
    lines scraped clean. Now, I move

    from one moment into the next,
    and into the one after. Breathing.
    Their memory a day-flying thing.

    Now, I am safer outdoors, testing
    the wild. The open, round hills.
    The chance of living around me.

    published in Cider Press Review · 2020

  • July’s heat melts my spine—
    strong, worn, chiseled with age,
    curved into a meshed lawn chair
    on my tiny patio. A wall clock taps.
    I square my thumbs and fingers
    together, frame a Sweet 100
    on its caged vine—climb through
    picture window. I take the scent
    into my skull as a farm girl would.
    My hands are cold from extracting
    Mr. Shake’s Maple Walnut
    stashed in the freezer like weed.
    I am spooned into bliss in a walled
    memory in this tomato’s hot breath.
    In seconds, the magnetic pull of
    decorum is gone, and that girl before
    me, is matted with dirt, digging
    until dusk in sun-rippled shadows.

    Everything about me, old and urban,
    is turning both make-believe and real.
    In what is left on this smooth surface
    of today’s boredom, a drawn-out
    thought. Don’t mock it as senseless
    nostalgia. At what point is a former you
    gone completely? Just for now, keep her
    before me. Then try, try to get
    closer—
    not to wish it all back but stay drawn
    to the source, keep those seconds
    of passion like a body gives shape to a soul.

  • Maples close to my back porch
    still wear summer’s green uniform.
    Soft rain stopped minutes ago
    flushing the woods and mown grass.
    I must ready myself for sleep
    but sit serene in the rocker and absorb
    what I cannot say—
    is anything as cruel or sweet
    as the shortening of our days?

    What does this life mean but itself?
    In short hours left, let me keep
    doubts shut. Pry windows open.
    Sun gone. Geese fly low to the pond.
    Do they care where they’re headed?
    I throw down the toothbrush, peel off
    my pajamas, walk out the door.
    Grass blades will never be so whetted,
    Earth so forgiving.

  • I want to scream, accusatory as a seagull,
    when something has been wrested away.
    I want to choke and weep, but instead invite
    friends to dinner as if everything is in its place.

    I wait for red swirls to stop in round goblets 
    as we toast these masks we wear at day’s end.
    I wait to stop seeing mounds—green hills of March,
    cloud rolls over local hills, a Sikh’s head wrap.

    I wait for the scar to fade—arm to arm, red
    stitches march like daffodils along my fence line.  
    I wait for his night reach for my chest when  
    deaf-mute gods will unveil at last, all things to us.

  • A tired espresso machine grinds
    at the back counter. Niveous foam
    runs down the edge of my thick-rimmed cup.

    Over there, a chair scrapes against a wall,
    a business suit leaves in a rustle
    of New York Times. Laptops ignore each other.

    My body—soft, alive, determined
    to disappear. Raisin-y smells and caffeine
    drawing me forward like a morning compass.

    published in Mangrove · 2015

  • plastic breasts from a catalogue
    stuff my lace bra 

    borrowed contours
    in a recognizable landscape

    I want to shout a little in praise 
    without a major commotion

    I join all the creatures
    and flowers who adapt

    like the winter pruned rose bush
    in pink bloom this morning

  • July’s gasp for water,
    farmers pray, cows eat brown grass, 
    sweet peas turn blue as they die.

    Terrified:
    we will become faint fossils.
    The world still remains almost beautiful.

    Last night’s 
    ferocious dry thunder
    still air, wonder at the torrent.

    This morning, roses bloom on a back fence,
    mount their cedar posts,
    Cumulus clouds so thick, I can lean against the sky.

    Hay bales ripped by the downpour,
    exposed like large gray animals.
    I smell the earth-breath again.

    How rain turns the world
    from one moment to the next
    in startlement.

  • Years ago, I met Monarchs
    on mornings when I led cows
    in from dew-damp pastures.

    Dawn sky like old varnish,
    they searched farms stitched  
    with milkweed’s frothy sap.

    Thousands flew out of the blueness
    to lay eggs, suck juice for a journey,
    briefly pause in our wetlands.

    Now, I stand in a dry field of wild parsnip,
    burdocks, to search for them. One alights
    on my shoulder as if I was the last
    shaking stalk of milkweed. Blotched
    and unfurrowed fields, maple woods
    we thought we knew, do not guide them.

    We wander with wintriness still beneath
    June clouds, no further sorrow possible—
    since we too will not be spared.

    shortlisted in UK Environmental Poetry Prize · 2022

  • he dresses for breakfast and our walk
    spills egg on his clean shirt
    more buttons again forward through
    the black now with white cane
    tapping tapping tapping
    outside he holds tight on my arm
    two steps behind me we listen
    for the familiar romance
    in the voices of birds
    stop, surrender our breath in imitation
    edges of our bodies vanish
    and no further sorrow possible
    in any form

  • Small things make the past
    Eavan Boland: The Old City

    Someone is out there near the sap house
    walking back from the Sugar Bush.

    Sunlight wraps its reaching and rounding over the East Meadow.
    April’s air beckons life to new leaf.

    (these were woods and meadows before they had names)

    Your great grandmother enters by the mud room,
    hangs her ruffled apron on the kitchen shelf,
    tin bucket full of fresh sap.

    Entangle your arms with hers,
    haul the cast iron pot together to the fire,
    watch the liquid boil, thick and dark.

    (make this her story, not yours)

    Now, say I did what I could.
    Taste hot syrup on johnny cakes.

    Pull back your chair, recall

    my tongue’s taste of maple,

    my greening woods.

     published in Mantis · 2020